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The what? The veteran twin
screw steam tug Daniel Adamson, commissioned originally as one of
three for the Shropshire Union Canal Company in 1903 to take passengers
and tow their barges across the Mersey from Ellesmere Port to Liverpool.
She was built locally in Tranmere with engines from Liverpool, and was
originally called the Ralph Brocklebank. In 1922 she became part of
the Ship Canal’s own tug fleet and was renamed after the company’s first
chairman and spent the next fourteen years of her working life shepherding
big ships up to Salford docks, usually as the stern tug of a pair for
which the Shroppie twin screws were particularly well suited. Then in 1936
she was promoted. Due to her grace and distinguished vintage she was
refitted again as the Canal’s own special inspection craft with an
imposingly high bridge, an open promenade deck and a sumptuously fitted
boardroom, all mahogany, cut glass and leather upholstery. She was painted
annually, polished constantly and was the pride of the company, respected
by directors and employees alike.Right & below: Daniel Adamson, February 2004. Images used by permission of John H Luxton, www.irishseashipping.com. But
then the world moved on, canal traffic decreased and the Daniel Adamson
was used less and less. She did her last trip under her own power from
Runcorn to Manchester and back in 1984. Gradually the canal company became
a property company, Peel Holdings, and the once proud flagship was soon
transformed by their accountants into an embarrassing and expensive
problem. However, staff sentiment and public relations would not allow her
to be disposed of gracefully and she languished about at the Old Quay yard
at Runcorn until Ellesmere Port and the Boat Museum offered her a cheap
berth out of harm’s way in the old shipping basin below the canal locks.
There she has remained ever since, looking sadder and sadder whilst
rampant rot got a hold. The museum vaguely hoped there would be a change
of heart by the owners and they might acquire a prime exhibit by
association, whilst the Ship Canal Company—always mysterious and devious
in their long term planning-- presumably hoped the museum would do the
hugely expensive restoration and maintenance for them. Some hope! If
anybody from the management had ever visited and seen the unequal battle
being fought to preserve the museum’s own fleet of barges and boats above
the locks at their masthead level that answer would have been seen to be
hopeless. So finally the once immaculate steam packet became a safety
hazard as well as an eyesore and the council and museum asked the owners
to move it somewhere else before there was a disaster, either to the ship
or local life and limb. OK, they said last month, it can go for scrap. Consternation! Scrap this lovely historic craft, this graceful example of the cream of the shipbuilder’s art? Disgraceful! What do the museum think they’re doing allowing this fantastic exhibit to be scrapped, even though they don’t own it? Better to ask why a fantastically profitable property company were allowed to neglect a significant part of the British maritime culture on an accountant’s whim. That’s disgraceful, but then of course the cultural decisions of a capitalist organisation are sacrosanct. Sentiment and historic values must not be allowed to influence them or get in the way of the profit. Meanwhile the poor museum with no money and no responsibility is seen to be failing in its duty of care to the inland waterways by allowing it to leave. Let’s have some cool thinking here.
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Tony Lewery, The Brow, Ellesmere, February 29th 2004 |
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