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How did a new
folk art arise at a time when the Industrial Revolution
was killing off traditional crafts? What on earth was so
special about it? |
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The decorative
ropework tradition
of canal boats was a combination of strictly practical
demands with the boatman's cultural need for elaboration. |
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"Roses
and Castles"
is the popular name for the traditional paintwork of the
narrow boats, bunches of roses and medieval castles being common features. |
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With
her cabin crochet work, the boatwoman was able
to create with her own hands, beautiful articles to adorn her tiny cabin
home. Written by Liz Bryant. |
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Hand painted signwriting is an important ingredient of canal boat decoration, often
treated as another painted pattern to enhance the boat. |
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The best way
to understanding & enjoy the folk
art of the canal is to experience the real thing. But
failing that we have some suggestions. |
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The most
powerful impression made by a traditional narrow boat is
of lots of carefully contrasted coloured decoration, covering almost everything. |
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Tony Lewery's
beautifully illustrated and informative Canal Folk Art
book,
Flowers Afloat,
explores the traditions and development of this art. |
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The secret
heart of all the arts of the narrow boat world was the tiny
cabin, a tiny space, but one which shaped
the lives of the boat people. |
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Eric Gaskell
has produced some striking limited edition lino-cuts of scenes around
the Birmingham Canal System. |
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The majority
of the folk painting of the canals was done by professionals, but by professional boatbuilders
not professional painters. |
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Phil
Speight is a canal boat painter, accredited as a Master by the
Waterways Craft Guild. He also helps run
Craftmaster
Paints. |
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Links to working canal
boat painters & companies supplying paint for canal boats. |
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Links to canal artists
& canal crafts people, painters and suppliers of traditional
canalware. |