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Tony Lewery is a well known waterways author, a regular contributor to the waterways press and acknowledged expert on canal art and heritage. Over the past ten years he has been contributing these (fairly) regular features exclusively to Canal Junction, taking a personal and thought provoking angle on a wide range of waterways topics and events, all accompanied by his own original photographs or artwork. They are intended to provoke discussion, Tony is pleased to hear your views.

August 2011
Wappenshall junction is where the ‘new’ line of the Newport branch of the Birmingham and Liverpool Junction Canal joined the old line of the Shrewsbury canal in 1835, all shortly to become part of the Shropshire Union conglomeration. These two canals were probably as different then as the new Severn Bridges are to the original M1 of the 1960s, spanning a time from small five ton tub boats to the imminent arrival of the railways. What miraculously survives at Wappenshall is an architectural statement of that transition, a sculptural memory in brick and stone.
 
More this way»
A transformation is taking place at Taylors Yard in Chester. The old Shropshire Union Canal Company dockyard has at last been let to a new tenant by British Waterways and a long overdue restoration and reclamation has begun. Good news then? Well, yes, but it is a process that is viewed with a tangle of feelings by some of us that have been campaigning for the preservation of this very historic canal boatyard for years and years. More this way»

May 2011

 
There are eighteen separate pieces of art sited around Ellesmere at present with more to come later this year. They all therefore impact on the canal environment in some way and therefore have relevance to those of us whose prime concern is with the historic canal heritage. Are they a good thing or a bad thing -- do they help or hinder understanding or appreciation? Hmm, big questions.  More this way»

March 2011

Tony wonders if canal restoration has worked. "In the sense that the water channel for pleasure boat use has been preserved and extended then canal restoration has been a great success.  However the preservation of the traditions, knowledge and skills of the old reality is another matter, the things that made canals special in the first place.".  More this way»

November 2010

This trip was a highspot for Saturn in two separate ways. It was the first she has made to Llangollen since she was a hotel boat butty behind Jupiter back in 1987 which seemed significant to us. But it also gave us a wonderful opportunity to try for some serious publicity by attempting to take her right up to Llantisilio.  More this way»

August 2010

The start of the centenary year of L.T.C.Rolt’s birth would seem to be an opportune moment to celebrate -- re-evaluate perhaps, certainly to reconsider his influence and impact on the whole waterways scene today. Tony considers why 'Narrow Boat' was so popular and influential, and whether Tom Rolt would be satisfied by the leisure industry that he helped to create. More this way»

January 2010

Tony discovers photographs of Welsh Frankton Junction in the 1920's and considers just how much can change in a lifetime, from busy transport artery, through rural dereliction, to the most popular waterway holiday route in the country. L.T.C. Rolt discovered canals right here in the 1920's, writing the book that lead to the rebirth and restoration of canals for leisure.   More this way»

November 2009

Canals have inspired many flavours of art, from the decorative paintwork of the boats to fine art landscapes, carefully crafted drawings and illustrations, and the working architecture of bridges, bollards, paddle gear and iron guards grooved by decades of towropes. But what about the sculptural stuff that increasingly litters the towpath, does it actually add anything?  More this way»

August 2009

Waterways Recovery Group working on pushing the Montgomery Canal Restoration further south came upon the remains of an old boat partly embedded in a tree trunk, a boat which may have had an unhappy history involving a headless boatman decapitated on a Shropshire guillotine! Tony investigates. More this way»

June/July 2009

I am sorry to be so smug but I feel I have to tell you how well our latest bit of horseboating went. We had two day’s worth, bringing the restored Shropshire Union boat Saturn from her winter moorings on the Montgomery Canal up to Ellesmere, ready to start her season’s commitments. More this way»

April 2009

Let’s try and be optimistic, let’s look for the silver lining in this cloud of recession. In a period of non-development the gloomy can take comfort that whilst things may not be actually getting better at least some of our historic survivals are not getting developed out of existence. More this way»

March 2009

In 1999 a volunteer work party carefully cleaned and recorded the contents of a Shropshire Union fly boat stable, due for conversion to a house, taking photographs and notes before they dismantled as much as possible for removal to safe storage at Ellesmere Port Boat Museum. Now it is all headed for the bonfire. More this way»

February 2009

It still surprises me that the extraordinary decorative paintwork tradition of the Leeds and Liverpool canal is not better known, not lauded or loved more profoundly and proudly. More this way»

January 2009

A group of volunteers have been surveying some of the buildings at Taylor's Yard, the old Shropshire Union boatyard in Chester, prior to forthcoming repairs, cleaning them out and recording any surviving items of boatyard history.  More this way»

November/December 2008

In this hard financial autumn our old historic canal boats have had a very hard month indeed. Their natural rot has been accelerated by the Waterways Trust museums at Ellesmere Port and Gloucester shutting down to part –time opening, operating with even fewer staff than they have been struggling with anyway. More this way»

October 2008

In principle I am all for the idea – public works of art that enhance the landscape and expand the viewer’s cultural experience – great! It’s just the end results that are often so disappointing. Why? More this way»

September 2008

From one canal extreme to another this time, from dusty nineteenth century boatyard to sparkly twenty first century boat rally (- from the sublime to the ridiculous some might say). More this way»

August 2008

Volunteering. Why do we do it? We undoubtedly get some fun and satisfaction along the way but underlying these personal benefits is the understanding that if we didn’t do it, it probably wouldn’t get done, and the world would be a poorer place. More this way»

June 2008

By a happy coincidence of interests I was recently asked to paint a pub sign. I have always been interested in the subject and find it a deeply satisfying tradition if strangely odd and strangely British, a leftover from the days before street numbering. More this way»

May 2008

The job was to tow the restored Shropshire Union narrow boat Saturn from her winter mooring to the historic boat gathering at Ellesmere Port for Easter, and then return home to Ellesmere proper with the Canal Junction tug Greenman. More this way»

April 2008

Tony remembers Joe Skinner ... "a symbol of something so special about the canals that I think we could do with being reminded yet again of this iconic man and the vanished world that he came to represent. " More this way»

March 2008

A painting of a canalside cottage on the Llangollen Canal was painted in 1888 but the cottage is still there a hundred and twenty years later and is still virtually the same – un-modernised, un-extended, and from a historical viewpoint almost unspoilt.  More this way»

February 2008

With the leaves off the trees and the ground vegetation at its lowest it is far easier to see the bare bones of canal engineering in the winter, the artificiality of its structure which is disguised in the summer by two hundred years worth of vegetation.  More this way»

January 2008

Tony has been revisiting his 'adolescent ambition to be a painter of the old fashioned sort, an artist painting landscapes and portraits in oils and watercolours' and was led to wonder why canal scenes make such good landscape subjects. Surely not just coincidence? More this way»

December 2007

The isolated Welshpool section of the Montgomery Canal sees very little boat traffic. Although restoration is moving south from Maesbury it will be a while before this beautiful stretch is on every hire boater's route like the nearby Llangollen. Tony enjoys it now! More this way»

November 2007

“Right” said Ian “I’ve booked the sailing barge for the end of August. The only unexpected problem is that we will have to take part in the River Colne Thames barge race over that weekend, is that O.K?”   More this way»

October 2007

Off the Mainline Archive We did consider sorting these previous 'Off the Mainlines' into categories but it just can't be done! So we've left them all here for you to dip into. There is a lot of stimulating reading and many fascinating photographs buried here, enjoy!
I have been given an old cabin door - a very tatty cabin door it has to be said, but one that pleases my soul more than it has any logical right to. A visit to Venice and a trip along the central waterway is 'a startling eyeopener to an English canal enthusiast.'
A new magazine and a new exhibition could be signs of Springtime regeneration on the canal heritage front, but will they be successful? Why canal castles? Why are they painted on canal boats and why is it so important that they should be painted on boats anyway?
A canal without boats and boats out of water – is this a good way to preserve and interpret waterway history? Tony suggest it could be. Tony doesn't really want to reveal the 'quite extraordinary qualities of an old Shropshire Union waterways maintenance yard'.
Maybe the best way to preserve an old wooden barge is to pull it up on land, cut a hole in the hull side and let visitors wander through it; better than letting boats rot in the water for shortage of funds. A unique Arun barge sunk at Ellesmere Port in Cheshire is probably doomed because the Museum has no money to restore her.
Tony rediscovers a forgotten pair of narrowboats which still have original decoration done by Harry Bentley, a potteries boatman, and were built by an ex-boatman called John Preston who worked as a mechanic at the Anderton Company dock. The Shropshire Flyboat restoration is nearing completion and we are about to present Saturn to a twenty-first century public as a statement about how we think things were a hundred years ago. Have we got it right, do we even know what colour she should be?
The Montgomery Canal continues to amaze me. Yes, I realise that I am becoming uncomfortably obsessive about it, but its survival, conservation and future development potential just seems to sum up so many philosophical canal problems all in one place. The heritage and skills invested in a friendly footpath gate by a bridge on the Montgomery Canal lead Tony to consider whether we should allow that much craftsman’s time to be re-invested in a simple gate again.
Canal restorations. 'We now know what it will be like, what British Waterways would like it to be like, and what the commercial mind of the hire boat and pleasure boat business will say it has to be like to get their commercial return.' Houseboats continued - 'If you want to live on the canal without spoiling it then be prepared to live within the canal conventions.' Are houseboats a blot on the canal landscape?
Houseboats. Now, be honest, what is your instant reaction to the word? Delight? Distaste? My own subliminal response is certainly a rosy glow of romance... Canal life 'was a historical traditional way of life being lived on a network of secret water roads, still doing real work'. Tony ponders what has lost to the 'new commercialism'.
So when was this written? “Canal boats and canals we suspect are going fast out of use, and will very shortly give place entirely to railways... ". You might be surprised! Where can you go on our increasingly busy canal system and get anything like an accurate flavour of a piece of canal in proper working trim.. ? Tony has a suggestion!
Tony returns from his Summer travels to the South West with tales of horse boat trips on the Grand Western and the last surviving Bude tub boat, back in the mud after 34 years! Tony ponders the New Waterway Art - '... add-on art that seems to be being blue-tacked on to the canals in an attempt to broaden their appeal and make them more like urban parks'
Colours of the Cut’ appeared in the inside back cover of the monthly magazine Waterways World from 1987 to 1994. Now there's a new book on its way. We all like the ‘picturesque’, but do we all agree what it means? Tony reflects that part of the problem is that it is so dependant on the time it is written, or is written about.
Tony decides that the time has come to admit to the world that he 'harbours a guilty secret gnawing away at my vitals'. Details this way! Does a breakers yard beckon for the veteran twin screw steam tug Daniel Adamson, commissioned originally for the Shropshire Union Canal Company in 1903?
Traditional canal skills are disappearing. What were the day-to-day craft skills; how do you sheet up a narrowboat, run a canal stable, rig a Joey boat mast ...? Sight Seen Partnerships are trying to video the past before even the memories have faded away. The act of digging out preserved evidence means that nobody else will ever be able to interpret it afresh, any time in the future. We’ve only got one chance to get it right. Oh Lord, what a responsibility!
Our waterways have lost a great champion recently with the death of Edward Paget-Tomlinson, author, artist, museum curator and painstaking historian - and that’s just the start! Just what gets us hooked on boats and canals? For Tony it was a sandbarge in Shoreham harbour,  'Now this did have it all for me - boats, romance and mystery, like something out of a Famous Five book.'
How quickly the everyday needs of a working canal become obscure ancient history in an age of leisure and pleasure boats. Who knows what is an icebreaker? Horseboating today takes three people person to make sure other towpath users don't get hurt. How far should we go to make canals risk free?
Saturn, the last Shropshire Union flyboat, no longer exists except as a pile of old knees, a set of measurements and a very big pile of firewood. Is this restoration? The Waterways Trust has now hit financial trouble. Costs must be cut and money saved, and the first target for cost cutting has been the waterways museums of course. Can we trust the Trust?
Strapping posts, do we need them on modern canals? And if British Waterways started putting them back, would we know what to do with them, and would they know where to put them? The traditional art of the boats, that special unique culture of the boatpeople, was quite suddenly stolen by the holiday boat business and became a staple ingredient of a souvenir industry.
Telford spanned valleys and housed lock-keepers with it, Sister Mary delivered babies with it, Ken Keay caulked coal boats with it... What is it? Tony poses a Spring Riddle! A sticky quagmire became a swamp, a quarry & a mudpool in turns but after a couple of hours heavy digging by a relay of strong persistent men the remains of a beautiful boat emerge.
But what is it about boats that makes them so eternally fascinating, whether big barges, wooden narrow boats, plastic dinghies or tiny toy boats? Recreating the traditional sounds of the canals; not the slow thump of diesel engines but the click of horses hooves, the creak of harness and the crack of the smacking whip.
A soon to be restored wooden narrowboat travels a hopefully soon to be restored waterway, promising signs that old attitudes are gone. Tony goes film making in Birmingham this month, focussing on the precise techniques of sidecloths, topcloths, tippet and topstrings!
Decorating a working boat with 'roses & castles' recently, Tony found that few modern canal users even noticed, maybe they don't want canal history. Heritage. We can’t pick and choose our own heritage, but we do alter the future by deciding what there will be for our future heirs to inherit.
Hunting for money to preserve historic wooden boats, and heaving tons of oak into the boatyard where in 3 years it will be ready to use. We need to keep a representative number of historic horse-boats in existence and mobile because they provide the best possible simple ‘heritage’ check!
There’s a maintenance backlog but must it take 3 months winter closure to do what used to be done in one summer week, especially when it restricts trade? When the first seriously hard frosts of the winter hit the River Weaver in Cheshire it revealed the dignified remnants of many old working boat wrecks.
How did Symbol, the last surviving wooden narrow boat to be built in Wales come to such a state of dangerous collapse that it had to be destroyed? The September Gathering of Boats at the Black Country Museum is a major events for traditional narrowboats and boaters. Tony Lewery reports back.
A fully restored wooden narrowboat was launched in Runcorn while the unique wooden boatyard was being demolished around it.    


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